xref: /freebsd/share/man/man4/spkr.4 (revision 17ee9d00bc1ae1e598c38f25826f861e4bc6c3ce)
1.Dd November 7, 1993
2.Dt SPKR 4
3.Os FreeBSD
4.Sh NAME
5.Nm spkr
6.Nd console speaker device driver
7.Sh SYNOPSIS
8.Cd pseudo-device speaker
9.Fd #include <machine/speaker.h>
10.Sh DESCRIPTION
11The speaker device driver allows applications to control the PC console
12speaker on an
13.Tn IBM-PC Ns --compatible
14machine running FreeBSD.
15.Pp
16Only one process may have this device open at any given time;
17.Xr open 2
18and
19.Xr close 2
20are used to lock and relinquish it. An attempt to open when
21another process has the device locked will return -1 with an
22.Er EBUSY
23error
24indication. Writes to the device are interpreted as `play strings' in a
25simple ASCII melody notation. An
26.Xr ioctl 2
27request
28for tone generation at arbitrary
29frequencies is also supported.
30.Pp
31Sound-generation does not monopolize the processor; in fact, the driver
32spends most of its time sleeping while the PC hardware is emitting
33tones. Other processes may emit beeps while the driver is running.
34.Pp
35Applications may call
36.Xr ioctl 2
37on a speaker file descriptor to control the
38speaker driver directly; definitions for the
39.Xr ioctl 2
40interface are in
41.Pa /usr/include/machine/speaker.h .
42The
43.Li tone_t
44structure used in these calls has two fields,
45specifying a frequency (in Hz) and a duration (in 1/100ths of a second).
46A frequency of zero is interpreted as a rest.
47.Pp
48At present there are two such
49.Xr ioctl 2
50calls.
51.Dv SPKRTONE
52accepts a pointer to a
53single tone structure as third argument and plays it.
54.Dv SPKRTUNE
55accepts a
56pointer to the first of an array of tone structures and plays them in
57continuous sequence; this array must be terminated by a final member with
58a zero duration.
59.Pp
60The play-string language is modelled on the PLAY statement conventions of
61.Tn IBM
62Advanced BASIC 2.0.  The
63.Li MB ,
64.Li MF ,
65and
66.Li X
67primitives of PLAY are not
68useful in a timesharing environment and are omitted. The `octave-tracking'
69feature and the slur mark are new.
70.Pp
71There are 84 accessible notes numbered 1-83 in 7 octaves, each running from
72C to B, numbered 0-6; the scale is equal-tempered A440 and octave 3 starts
73with middle C.  By default, the play function emits half-second notes with the
74last 1/16th second being `rest time'.
75.Pp
76Play strings are interpreted left to right as a series of play command groups;
77letter case is ignored. Play command groups are as follows:
78.Bl -tag -width CDEFGABxx
79.It Li CDEFGAB
80Letters A through G cause the corresponding note to be played in the
81current octave.  A note letter may optionally be followed by an
82.Dq Em "accidental sign" ,
83one of # + or -; the first two of these cause it to be sharped one
84half-tone, the last causes it to be flatted one half-tone.  It may
85also be followed by a time value number and by sustain dots (see
86below).  Time values are interpreted as for the L command below.
87.It Ns Li O Sy n
88If
89.Sy n
90is numeric, this sets the current octave.
91.Sy n
92may also be one of
93.Li L
94or
95.Li N
96to enable or disable octave-tracking (it is disabled by default).
97When octave-tracking is on, interpretation of a pair of letter notes
98will change octaves if necessary in order to make the smallest
99possible jump between notes. Thus ``olbc'' will be played as
100``olb>c'', and ``olcb'' as ``olc<b''.  Octave locking is disabled for
101one letter note following >, < and O[0123456].  (The octave-locking
102feature is not supported in
103.Tn IBM
104BASIC.)
105.It Li >
106Bump the current octave up one.
107.It Li <
108Drop the current octave down one.
109.It Ns Li N Sy n
110Play note
111.Sy n ,
112.Sy n
113being 1 to 84 or 0 for a rest of current time value.
114May be followed by sustain dots.
115.It Ns Li L Sy n
116Sets the current time value for notes.  The default is
117.Li L4 ,
118quarter or crotchet notes. The lowest possible value is 1; values up
119to 64 are accepted.
120.Li L1
121sets whole notes,
122.Li L2
123sets half notes,
124.Li L4
125sets quarter notes, etc.
126.It Ns Li P Sy n
127Pause (rest), with
128.Sy n
129interpreted as for
130.Ns Li L Sy n .
131May be followed by
132sustain dots.  May also be written
133.Li ~ .
134.It Ns Li T Sy n
135Sets the number of quarter notes per minute; default is 120.  Musical
136names for common tempi are:
137
138.Bd -literal -offset indent
139        	Tempo    	Beats Per Minute
140very slow	Larghissimo
141        	Largo    	40-60
142         	Larghetto    	60-66
143        	Grave
144        	Lento
145        	Adagio       	66-76
146slow    	Adagietto
147        	Andante   	76-108
148medium   	Andantino
149        	Moderato	108-120
150fast    	Allegretto
151        	Allegro   	120-168
152        	Vivace
153        	Veloce
154        	Presto    	168-208
155very fast	Prestissimo
156.Ed
157.It Li M[LNS]
158Set articulation.
159.Li MN
160.Ns No ( Li N
161for normal) is the default; the last 1/8th of
162the note's value is rest time. You can set
163.Li ML
164for legato (no rest space) or
165.Li MS
166for staccato (1/4 rest space).
167.El
168.Pp
169Notes (that is,
170.Li CDEFGAB
171or
172.Li N
173command character groups) may be followed by
174sustain dots. Each dot causes the note's value to be lengthened by one-half
175for each one. Thus, a note dotted once is held for 3/2 of its undotted value;
176dotted twice, it is held 9/4, and three times would give 27/8.
177.Pp
178A note and its sustain dots may also be followed by a slur mark (underscore).
179This causes the normal micro-rest after the note to be filled in, slurring it
180to the next one.  (The slur feature is not supported in
181.Tn IBM
182BASIC.)
183.Pp
184Whitespace in play strings is simply skipped and may be used to separate
185melody sections.
186.Sh BUGS
187Due to roundoff in the pitch tables and slop in the tone-generation and timer
188hardware (neither of which was designed for precision), neither pitch accuracy
189nor timings will be mathematically exact. There is no volume control.
190.Pp
191The action of two or more sustain dots does not reflect standard musical
192notation, in which each dot adds half the value of the previous dot
193modifier, not half the value of the note as modified.  Thus, a note dotted
194once is held for 3/2 of its undotted value; dotted twice, it is held 7/4,
195and three times would give 15/8.  The multiply-by-3/2 interpretation,
196however, is specified in the
197.Tn IBM
198BASIC manual and has been retained for
199compatibility.
200.Pp
201In play strings which are very long (longer than your system's physical I/O
202blocks) note suffixes or numbers may occasionally be parsed incorrectly due
203to crossing a block boundary.
204.Sh FILES
205.Bl -tag -width /dev/speakerxx
206.It Pa /dev/speaker
207speaker device file
208.El
209.Sh AUTHOR
210Eric S. Raymond <esr@snark.thyrsus.com) June 1990
211.Sh "PORTED BY"
212Andrew A. Chernov <ache@astral.msk.su>
213.Sh HISTORY
214The
215.Nm
216device appeared in
217.Fx 1.0 .
218